Video blog

When five high school students, Andrew, John, Allison, Brian, and Claire, meet in detention one day. The principal wants them to write an essay, and they think they are in for a boring 8 hours of doing nothing. At first, they argue and hate each other, but after smoking some marijuana, they pour their hearts out to each other, and tell about their fears, secrets, and their deepest emotions, and problems.

A new family moves into the house on Elm Street, and before long, the kids are again having nightmares about deceased child murderer Freddy Krueger. This time, Freddy attempts to possess a teenage boy to cause havoc in the real world, and can only be overcome if the boy’s sweetheart can master her fear.

An undercover narc dies, the investigation stalls, so the Detroit P.D. brings back Nick Tellis, fired 18-months ago when a stray bullet hits a pregnant woman. Tellis teams with Henry Oak, a friend of the dead narc and an aggressive cop constantly under the scrutiny of internal affairs. They follow leads, informants turn up dead, Nick’s wife is unhappy he’s back on the street, Henry’s protective of the dead cop’s wife. Nick reads and re-reads the case file, broods, watches Oak’s heavy-handed style, sometimes joining in. The brass want to close out the case, Nick and Henry stay on it, and bits of evidence point them to an auto body shop. What actually happened; will Nick ever know?

Meet Roy and Frank, a couple of professional small-time con artists. What Roy, a veteran of the grift, and Frank, his ambitious protégé, are swindling these days are “water filtration systems,” bargain-basement water filters bought by unsuspecting people who pay ten times their value in order to win bogus prizes like cars, jewelry and overseas vacations—which they never collect. These scams net the flim-flam men a few hundred here, another thousand there, which eventually adds up to a lucrative partnership. Roy’s private life, however, is not so successful. An obsessive-compulsive agoraphobe with no personal relationships to call his own, Roy is barely hanging on to his wits, and when his idiosyncrasies begin to threaten his criminal productivity he’s forced to seek the help of a psychoanalyst just to keep him in working order. While Roy is looking for a quick fix, his therapy begets more than he bargained for: the revelation that he has a teenage daughter—a child whose existence he suspected but never dared confirm. What’s more troubling, 14-year-old Angela wants to meet the father she never knew. At first, Angela’s appearance disrupts her neurotic father’s carefully ordered routine. Soon, however, with his own unique spin on parenthood, Roy begins to enjoy a relationship he never dreamed of having with his daughter. But while he develops paternal feelings for the 14-year-old, she’s developing a fascination with Daddy’s questionable career.

The Law Enforcement Technology Advancement Centre (LETAC) has developed SID version 6.7: a Sadistic, Intelligent, and Dangerous virtual reality entity which is synthesized from the personalities of more than 150 serial killers. LETAC would like to train police officers by putting them in VR with SID, but they must prove the concept by using prisoners as test subjects. One such prisoner is ex-cop Parker Barnes. When SID manages to inject his personality into a nano-machine android, it appears that Barnes might be the only one who can stop him.

A New York nightclub manager tries to save his brother and father from Russian mafia hit men.

Adam Sandler stars in this comedic animated musical as Davey Stone, a 33 year old drunk who was perfect 20 years ago. After cheating the Chinese waiter (Schneider) for not paying for his 4 Scorpion bowls, he gets one more chance or he goes to the state prison for 10 years. For his sentence, he is to be a referee-in-training for the Junior Basketball League. While learning to be nicer from Whitey Duvall (Sandler), an ederly basketball referee, Davey falls in love again with his childhood girfriend Jennifer Freedman (Titone) who already has a son Benjamin (Stout).

Late at night, in an unnamed U.S. city, a solitary man sits at a bus stop. A pregnant woman runs by, pursued by a man with a gun. With reluctance, the man at the bus stop rescues her and assists with the baby’s delivery, while additional pursuers fire at them, including the gang’s particularly nasty leader, an intuitive man named Hertz. Our hero, known only as Smith, determines to save the child and find out why Hertz wants the baby dead. At a local bordello, he tries to employ a lactating hooker to watch the child, but things quickly escalate, and this makeshift family is soon on the run. Heavy metal music calms the baby. Why? A laboratory, a gun factory, and a presidential campaign all figure in Smith’s search for the child’s ultimate safety.

An announcement that the venerable Bunker Hill Military Academy, a 141 year old institute, is to be torn down and replaced with condos sets off the young cadets led by their stodgy commander (George C. Scott). Under the command of a student cadet major (Timothy Hutton), the cadets seize the campus, refuse entry of the construction crews and ultimately confront the real military.

Alfie is a remake of the 1966 film. In the contemporary film, Alfie is quite the ladies man and rarely gets rejected when it comes to the opposite sex. He successfully has relations with multiple women without a hint of emotional attachment. A major (lifelong) problem arises when he sleeps with the wrong woman, namely his best friend’s (and future business partner) ex-girlfriend. As a result, his life slowly comes into focus and he begins to appreciate the little things he always missed in the opposite sex. A must see for all guys who call themselves “players”.