Video blog

Something rotten is brewing beneath the industrial mecca known as Raccoon City. Unknown to its millions of residents, a huge underground bioengineering facility known as The Hive has accidentally unleashed the deadly and mutating T-virus, killing all of its employees. To contain the leak, the governing supercomputer, Red Queen, has sealed all entrances and exits. Now a team of highly-trained super commandos including Rain, Alice and Matt must race to penetrate The Hive in order to isolate the T-virus before it overwhelms humanity. To do so, they must get past the Red Queen’s deadly defenses, face the flesh-eating undead employees, fight killer mutant dogs and battle The Licker, a genetically mutated savage beast whose strength increases with each of its slain victims.

For burned-out Seattle cop Daniel Pruitt, a camping trip turns hellish when his wife, Jessica, is savagely attacked in the forest. En route to the hospital, the Pruitts collide with a semi, and Jessica identifies the driver as her assailant. Enraged, Pruitt pummels the man. Once at the ER, however, she changes her mind and names a male nurse as her attacker. But before Pruitt can make amends, he learns that his victim, the son of Sheriff Morgan McKenna, is dead.

A sheriff (Thornton) begins an investigation into the death of a local transsexual after hearing that high ranking politicians may have been involved. Although he is homophobic, his investigation causes him to be rejected by others, forcing him to seek help from the people he once despised.

Based on the Bram Stoker Award nominee short story by cult author Joe R. Lansdale, Bubba Ho-tep tells the “true” story of what really did become of Elvis Presley. We find Elvis (Bruce Campbell) as an elderly resident in an East Texas rest home, who switched identities with an Elvis impersonator years before his “death”, then missed his chance to switch back. Elvis teams up with Jack (Ossie Davis), a fellow nursing home resident who thinks that he is actually President John F. Kennedy, and the two valiant old codgers sally forth to battle an evil Egyptian entity who has chosen their long-term care facility as his happy hunting grounds.

Matt (Patrick Muldoon) is haunted by the death of a girl from a car accident he caused years ago. Matt was drunk and as he reached for the car radio, he struck the girl as she crossed the road. The guilt that he feels has altered his sense of reality, making Matt’s life a mystery full of shadows and phantoms. Now, years later Matt goes away for weekend with his new girlfriend Dawn. After a wild session of lovemaking, Dawn goes for a walk. While she is away a strange man with an axe comes into the motel room and attacks Matt. After that incident Matt goes into the woods, looking for Dawn. There he encounters Dawn’s family who tie him down and put him on trail for the murder of the girl years before. They find him guilty and he is sent back into the forest to be hunted down by the family. The deeper Matt runs into the forest the farther his mind is lost to the Blackwoods.

An undercover narc dies, the investigation stalls, so the Detroit P.D. brings back Nick Tellis, fired 18-months ago when a stray bullet hits a pregnant woman. Tellis teams with Henry Oak, a friend of the dead narc and an aggressive cop constantly under the scrutiny of internal affairs. They follow leads, informants turn up dead, Nick’s wife is unhappy he’s back on the street, Henry’s protective of the dead cop’s wife. Nick reads and re-reads the case file, broods, watches Oak’s heavy-handed style, sometimes joining in. The brass want to close out the case, Nick and Henry stay on it, and bits of evidence point them to an auto body shop. What actually happened; will Nick ever know?

An abused woman (Lopez) discovers that the dream man (Campbell) she married isn’t who she thought he was. She and her daughter try to escape (aided by her previous boyfriend, played by Futterman), but he pursues her relentlessly. Fearing also for the safety of her daughter, she decides that there’s only one way out of the marriage: kill him. ‘Fred Ward (I)’ (qv) has a guest-starring role.

Liberty Wallace, who lives in Los Angeles, isn’t at all uncomfortable about her links to the weapons business. Liberty is a key player for McCloud Industries, one of the largest gun manufacturers in the United States. She’s the Vice President of Marketing, she’s the daughter of the company’s founder, and her husband is the company’s ruthless CEO, America’s premier arms merchant, Victor Wallace. While former war hero Victor is busy trafficking in international armaments, Liberty uses her business breaks to conduct an affair with actor Russell Williams. The balance of their marriage shifts when a sniper named Joe trains his rifle on Liberty as she walks through a busy Los Angeles park on her way to meet with Russell. Joe calls Liberty on her cell phone, and orders Liberty to handcuff herself to a nearby hot dog vendor’s cart — the cuffs are already there. Liberty has no intention of submitting to Joe’s wishes — until Joe begins firing shots. Quickly convinced, Liberty locks herself to the stand, only to learn that it is loaded with enough explosives to take out a city block. If she calls for help, hangs up the phone, mutes the phone, or fails to cooperate, the bomb will go off. Joe has also attached a bomb to Russell, who’s now trapped in his dressing room at a local theater. Liberty realizes she can’t buy her way out of this situation, and she is forced to consider Joe’s demand for an anti-gun forum. The reason why Joe is doing this is because his daughter was fatally shot by a school classmate who used a gun that was manufactured by McCloud Industries. The death of a child can break a parent’s mental balance. Now, Joe is demonstrating to Liberty what it’s like to be on the other end of the weapon, and show Liberty the horrors of what she has had a blind hand in for years. Victor has apparently bartered illegal deals without Liberty’s knowledge, ones that have resulted in easier access to weapons for street dealers — the ones who sold the weapon that killed Joe’s daughter. As a result of his daughter’s death, Joe wants Liberty to use her political connections and this incident to spark a public debate on the Second Amendment. Despite his past as a CIA agent, Joe no longer supports the unequivocal right to bear arms. Joe lets Liberty know that she’s going to die, but that she can die a hero if she exposes the company’s shady business dealings and political connections before she’s killed. As Joe monitors and records her every move, Liberty reveals secrets about her own past, and her business dealings. When Victor, who is also having an affair, finds out that Liberty has been taken hostage, he’s torn between following company protocol — protecting himself and allowing Liberty to be killed — and trying to help her.

Jimmy Tong (Chan) is just a lowly chauffeur for millionaire Clark Devlin (Isaacs), until Devlin has an accident that puts him in the hospital. Tong is sent back to fetch some things for Devlin and unknowingly tries on Devlin’s tuxedo and finds that it gives extraordinary powers to anyone that dons the suit. This discovery thrusts Tong into world of international intrigue and espionage and pairs him with an inexperienced partner (Hewitt).

The director of such off-beat independent films as In the Soup, director Alexandre Rockwell once again teams with that film’s star to deliver this Los Angeles-based comedy concerning superstition and intersecting lives. Things aren’t looking so good for television clown Banana’s (Steve Buscemi) career, and the fact that his estranged wife, Suzi (Jennifer Beals), has just been arrested for assaulting his girlfriend, Lily (Karyn Parsons), just serves to compound Banana’s despair. Teaming with sidekick Binky (Peter Dinklage) to enlist the aid of bail-bondsman Mo (David Proval), Banana and Binky discover that Mo is currently negotiating the release of hip-hop mogul Lenny’s (Daryl Mitchell) wife, Sandra (Rose Rollins). The hapless group soon teams to help Mo by finding a suitable kidney donor for the bail-bondsman’s ailing son, and though they quickly happen across a drunk (Peter Stormare) who fits the bill, the trouble comes in keeping the prospect in the hospital. Doing their best to help Mo’s son under increasingly chaotic circumstances, personal tensions flare as each character desperately tries to simultaneously battle their own inner demons.